Pretty soon she was running up and down the Northway, collecting accolades for her playing and doing gigs right and left. She had the gift, and she used it from the gitgo. I mean, she was fer it! She was advanced enough on the guitar that I could show her some fancy moves, and she got them right away. She took us down to Au Sable Forks where he lived, and the three of us picked through the rubble all afternoon. He and I were interested in helping the artist Rockwell Kent clean up from a fire that destroyed his art collection. I met Joan Crane in 1968, when Paul Geremia and I were playing the coffeehouse at Plattsburgh. Jerome Epstein said, “We decided to give the award to Andy, one of this year’s performers, because of his outstanding contributions to the field of traditional music, as performer, collector, and advocate.” In 2012 Andy received a Lifetime Achievement Award from the California Autoharp Gathering. In 2011 Andy received the Eisteddfod Award from The Eisteddfod Traditional Music Festival. His passions come together in his essay on “The Hands of Blues Guitarists,” published in Ramblin’ On My Mind: New Perspectives On the Blues, edited by David Evans (2008).Īt an Andy Cohen concert, expect to hear blues rooted in Mississippi, the Piedmont, Memphis, and Chicago, as well as some ragtime, gospel, and original tunes. Along the way, Andy earned a Master’s Degree in anthropology. Cohen: Dolceola Favorites.Īn enthusiastic proponent of the dolceola, Andy says he “never leaves home without it.” Described by some as a “miniature piano,” the dolceola has a keyboard, but the strings are struck with wooden mallets. Andy Cohen has more than a dozen recordings to his credit, including Oh Glory, How Happy I Am: The Sacred Songs of Rev. He has been assiduous in sharing his expertise in classes, camps, and anywhere people are making music. There are few people around today who had a chance to pick it all up from the old generations, get this good at it and continue to cherish and preserve the old traditions.” The Country Blues says, “One thing is for sure, the boy can play.
#Andy cohen bluex professional#
Many of his students are now professional touring musicians. He has written about several of the old masters and studied their work in a systematic way. We look forward to seeing you no matter which ‘space’ you choose to view us from, and cannot wait to get this new season started off right! Thank you again for your awesome and continued support–and see you soon at the Hand House.Īndy has helped to support a number of his mentors and younger players, by organizing festivals and other venues for them to play in. PBN is committed to serving our dedicated community, so we will provide video recordings of the live concerts on our website throughout the season for those of you who choose to enjoy them at home. There will be no walk-up seating available. Reservations are required and may be made by email or by phone (51) and seats will be obtained on a first-come-first-served basis. The Hand House seating will be limited to 25 spaced-out chairs per concert, and we will require that our attendees show proof of vaccination and wear masks at this time. The doors will be open at 6:15 on Saturday and 2:15 on Sunday, and we encourage attendees to arrive early to avoid lines at check-in. We will follow our traditional format of a Saturday night concert at 7PM, and a Sunday afternoon concert at 3PM. In order to do so, we will provide the most up-to-date guidelines on the PBN website to ensure our concertgoers will be as safe as possible, and we ask that you please stay in contact regarding any new developments along the way. Piano by Nature is greatly looking forward to presenting these October 16th and 17th concerts at the beautiful Hand House, especially after having no live concerts since February of 2020. The Triumphant Return of Ragtime King Ethan Uslan.The Conversation: Contemporary Fiddle and Keyboard Music.American Dreams: Marilyn Reynolds and Rose Chancler.Sergio Alonso and Mariachi Los Camperos de Nati Cano.
0 kommentar(er)
